From the scraps of a bulletin board (I think it must have been last winter’s lantern design) I idly constructed a magical paper landscape for two little sisters to enjoy.
My dear old friend, the artist Jeffrey Woods, went through a period when a great deal of his work involved covering glass with tiny vinyl dots, painting the glass, and then peeling off the dots. As a result, his entire property (I’m talking the inside of the washing machine, the cat’s tail, the artist’s feet) to this day remains infested by colorful, sticky, vinyl dots, forming their own patterns across the landscape. There’s a metaphor in there about the persistence of art, I think. If you ever visit his workshop (which you wont; you can’t; he doesn’t let people in) you’ll notice that his trash is gorgeous. Picture paper plates which have sat on turntables inside an airbrush booth, sporting rings of complementary colors, crammed beside gracious curves laser cut from clear blue plastic, stuffed stuffed alongside sinewy white stencils into a plastic bag with the remains of yesterday’s lunch. Splashes of color on the walls and floor from which those prone to pareidolia cannot help but search for meaning: constellations of random mess.
As a child, I spent a fair amount of time folding origami. I used to have a decent repertoire: shrimp, cranes, swans, boxes. Now the only thing I remember is the lotus blossom, which somehow looks more like a water lily than a lotus to me. Anyway, these were folded from chocolate wrappers. Endangered Species Chocolate is my favorite.
When I was little, I was always intrigued by artist’ palettes, the random smears of color sometimes more lovely than the finished works. I seem to find patterns spelled out on a piece a paper that I’ve used to blot my paintbrushes or wipe my fingers.
Testing markers on this sheet of paper, both sides. Paint pens always jam on me. The doodles on this paper came out way better than whatever it was I was actually trying to do with the paint pens.
I’m the kind of person whose hands sometimes go on without her, particularly when it comes to small, malleable pieces of refuse. I remember once, years ago, picking a twist tie off my cousin’s counter and, without really thinking about it, curling it into an elaborate butterfly. Her son took an instant liking to it and, shades of Hawthorne’s Artist of the Beautiful, smashed it into a wad. My cousin was horrified. I laughed. It was perhaps beautiful, but it was also a bit of trash.
I’m just as likely to curl paper as to fold it. With the right varnish to hold their form, these collaging scraps could easily be beads.
Challenge yourself to find something pure and shining in the discards of your life and watch the world made magical.