Category Archives: comic

Clue: Breakfast Edition

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You can see it in her face. Mrs. Butterworth is *guilty*. GUILTY! She always seemed a bit too sweet.

If this isn’t simultaneously the funniest and stupidest idea I’ve ever had, I’d be happy to entertain alternate nominations for those superlatives. Anyway, Colonel Mustard looks like a bitter pill.

If Mr. Plum turns up dead tomorrow, it will be because he was in the icebox looking delicious, so sweet and so cold.

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Don’t Take Me Down

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And did you further know what I am applying to myself right now?

This one started out as an extra page for the American Salvage book, a little introduction to the history of and academic discourse about comics that could explain the project’s intellectual value, but I could never figure out the last panel, how to bring it full circle or tie it in to the rest of the material. Like, where was this narrative going? Was there any joke in it? And how many copyright violations did I dare produce?

In for a penny…I drew all the licensed characters. I believe that this comic constitutes fair use but you know fair use is only for people who can afford lawyers.

Tonight I just decided to draw something for the last panel. I don’t know if this comic succeeds in saying what it wants to say, but at least it’s finished.

Who Cares As Long as They Provide Free Childcare?

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Well, SOMEbody’s totally ready for fatherhood.

When you have 2 comics that you started weeks ago and never finished because of reasons, the thing to do, of course, is start a whole new comic. But that just means there are definitely 2 more comics coming. Obviously, I haven’t been drawing any comics lately, and it’s been a while since I drew any of my own, or any without a political agenda: last year was almost entirely Linda Addison, Bonnie Jo Campbell, and my personal fear and loathing regarding the state of the union. So let’s see what it’s like to be a webcomic again.

Obviously, shout out to Archer here. I almost drew Archer or Mallory into the comic. Then I just decided to give the dude Archer’s hair. Then I gave up on that and just tried to get the characters to look like the same character in every panel, at which, I calculate, I was 66.6% successful. Anyway, I assume this guy’s the dad and he’s just gearing up for the day that his children are sufficiently fluent in the English language for him to drive them insane. He’s practicing for the triplets.

Actually, The Man is the ultimate dispenser of dad jokes and I’m pretty sure I’m the target way more often than the kids are. You simply cannot tell this man you’re hungry, thirsty, tired, dirty, damp, whatever you’re feeling or experiencing, unless you want him to introduce himself to you. “I’m starving.” “Nice to meet you Starving, I’m Daddy.”

He is lucky I haven’t stabbed him during a low blood sugar crisis.

 

Crimes against a Tow Truck Driver

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All about being all about American Salvage

Bonnie Jo wrote this script and provided the pictures of the junkyard. She also wrote the following text:

Why Write Fiction?

Most of the stories in AS were all inspired by real life, but I ventured far from actual characters and events.

Sometimes we fictionalize a story in order to make more sense out of it

As Mark Twain’s Pudd’nhead Wilson said, “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.

There are some stories that can be told ONLY in fiction. In “The Inventor, 1972,” I write a guy trying to rescue a girl he’s hit with his car, and while she’s lying there in the road, he has a fleeting thought of molesting her. No man who hoped to survive the night could dare admit to such a thought.

How and Where I Enter

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According to my insider sources, all the 1 percenters read standing up whilst wearing tiaras.

There are a lot of ways of looking at any piece of fiction. After rewriting and illustrating 30 of Bonnie Jo Campbell’s short stories and telling her story about writing American Salvage, it seemed like I could/should write my story (apology?) about making these comics. A little piece of it anyway, which was much harder to tell than I thought it would be. It took all week to finalize the text; my first draft would have filled the entire page with words and never even got past panel 4. I guess I’ll have to write another comic about growing up in the North Shore of Chicago when you’re just not like the other humanoids, because John Hughes never got too deep into that story.

I think I mentioned the details about panel 2 in a previous blog post, although I can’t seem to find it, but Ferris Bueller, Michael Jordan, &c: true story. Panel 3 depicts “Hassle Castle,” which is what we called the admin building at Antioch College. The building, we were always told, was designed by the same guy who designed the Smithsonian Castle in Washington, DC. The side I drew was originally built as the front door of the school, at which time it faced a railroad station and only had 2 buildings behind it. Later, the train line was shut down and the school expanded behind the Castle and now this is the back of the Castle, facing 1000 acres of protected wilderness (nice backyard!) and the old back of the Castle is now considered its front.

Panel 3 has a little backstory. I’m not sure I ever ate Stove Top Stuffing in my life; if I did, it certainly wasn’t at my mother’s house. We didn’t use boxed matzah ball mix either, but Antioch College is in a tiny town in southwestern Ohio, so I couldn’t necessarily be particular about ingredients while I was at school. Anyway, I was cooking it in the minuscule shared kitchenette in Birch Hall. At Antioch, I met a number of lovely and academically talented people who referred to themselves with some degree of pride as “white trash,” and one of these people came in to use the kitchen at the same time. She saw the box and asked me what the heck it was. I explained matzah balls and then added, “I’m cooking from my culture,” and she indicated her box of Stove Top Stuffing and said, “I’m cooking from my culture.” So that happened.

Even as a starving artist, I’ll always be an outsider to American Salvage, but I hope I got into it pretty well.

 

Metropolitan Industrial Salvage

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That flattop is awesome and I don’t see how it could fail to make anyone smile.

It was pretty nice of Craig to write this script for the Upcoming American Salvage comic, not only because we gave him about 6 seconds notice that he was getting a page in the book, but also because last year he published an entire comic book about the history of Portage Printing (I drew 3 pages for him) and it’s sort of amazing that he still had any material left over. I thought he might have some kind of clever advertisement in his back pocket, already prepared, but he managed to come up with an original story that ties back into the “salvage” theme of the rest of the book.

I’ve never been to Portage Printing: when I lived in Kalamazoo I had a 500-page a semester copy code from the university, plus I got one of the secretaries to give me an unlimited code so I could secretly make copies of my 600-page novel in the middle of the night. However, I suspect it’s a top-notch place. Craig has really created an amazing business model, combining an obvious passion for professional excellence with the unforgettable marketing device of filling his workplace with old-timey artifacts. If you happen to be in southwestern Michigan and need to print a comic book or something like that, I highly recommend checking his place out.

Craig sent me some of the source images, and his loyal customers provided some others via the Portage Printing Yelp page.