Well, the new baby is like 8 months old now, but I made this little card when he was newer. Baby Amiel will be bilingual—his mother is American and his father is Spanish—so I wanted to make the card bilingual too. A is for alligator and apple in English, and árbol and abeja and amor in Español. Also, Amiel’s middle name is Willow so that tree is doing double duty.
Well, all things must come to an end, and that includes the waking nightmare that was summer of 2020, and now children are heading back to school in whatever ridiculous configurations are necessary to educate the populace without killing it. In this district, there will be distance learning, with teachers teaching from their homes and children learning in theirs (except for a small number of economically disadvantaged children who will be distance learning in one big, happy, k-12 classroom, with a single aide to watch over them).
I made this bulletin board for those unfortunate souls who do have to be in the building 5 days a week.
The lettering is based on the free font Andhibath Demo. The lion face is based on a stuffed animal my aunt gave me 40 years ago.
Wow, it’s been so long since I’ve posted something here that WordPress actually logged me out of the site. That never happens.
I have made some art, but most of it was for a book that hasn’t been published yet and the editors asked me not to share it yet. But also, the world is on fire (here in Arizona literally, and figuratively everywhere else) and it’s hard to focus. I’ve been reading a lot.
This card is for my father, who loves cactus, for Father’s Day. By the time this page is published, I’ll have given it to him in a socially distant way. Happy Father’s Day, Dad!
Another card. For some reason, I had the worst trouble getting the colors to photograph properly. This version is close but still not precisely how it’s meant to look (should be brighter). Anyway, I made this card for a nurse who likes to spin and likes the color chartreuse. That’s the whole story.
Sadly, I am not, as of yet, one of those people who has used the pandemic to inspire a vast body of new work. I did some crayon drawing last night that amused me but nothing super internet-ready. Not only is this stupid virus wrecking my social life, it’s also making my daily life extra difficult because I just bought a new house and moving in has become ridiculously complicated. Like, I ordered a refrigerator off the internet, and was just informed that they’re going to deliver it Friday, but they can’t bring it in the house or install it. They’re going to leave the refrigerator in the yard.
If you do not know, I am very small for a human. If I were much smaller, I would be anomalously small. Nobody would look at me and think, “That person could move a refrigerator.”
This week I’ll be sequestering myself away to start Bonnie Jo Campbell Comics volume 4 but I won’t be able to share any of it on this blog because this one will be published in a larger volume of (text based) literary criticism. It’s kind of exciting, except that I won’t make any money off this one. I will likely be the only person in the anthology who doesn’t have a PhD in literature and doesn’t teach it at the university level and doesn’t need to publish in order to maintain my academic credentials. Everything’s different for academics. But I really wanted to be in this book! And it’s flattering that they asked me. So I’m doing it.
After I do that, I’ll really have to start thinking about how I can use my skills and talents to support myself.
I’m not really allowed to discuss what this card means just yet. Perhaps I can come back later and elaborate. But I made this delicious peach card: it’s a peach, and a heart, and a star. Tissue paper, butcher paper, matte medium, on medium card stock. I love how the colors on the peach came out. It gives me a lot of ideas for using these materials to create other cool colors and textures.
This was a fox card, for the Fox, obviously. One thing and another, I didn’t actually see him on his birthday because he was busy with Otter stuff, and then I ended up looking at this piece all week and seeing all these little mistakes I wanted to fix, but he loved it, so it’s good, I suppose. Except for the 5000 times my terrible cat knocked it onto the floor; that part was less good.
Tissue paper, butcher paper, matte medium, on heavy cardstock.
Our family’s present to Mom and Dad for their 50th wedding anniversary (it was on Christmas, but I’m just getting around to posting it now because the last 2 weeks have been crazy).
For my parents’ 40th anniversary, my sister presented them with a quilt made up of a squares decorated by pretty much everyone they knew or were related to, interspersed with family photos. She just reminded me that the project actually took 5 years from start to finish. My sister-in-law had knitted a square that represented her being pregnant for the first time, but by the time my parents received the quilt, there were photos of my 2 nephews included.
So I had this idea that I wanted to do something like that—collaborative art, a group effort that would create something personally meaningful for my parents—but would not involve herding cats and would be completed in 6 months. I asked my sister for ideas, and this was the one she came up with. You just take a photograph, divide it into a grid, and assign each person 1 or more pieces. All the different art styles and media come together to create this cool gestalt art.
Amazingly, we managed get all the pieces completed and to the framers within the deadline (granted, The Man was still working on his an hour before I went to the framer) and nobody spoiled the surprise, even though a goodly portion of the people involved were small children.
This piece is based on a photograph I took of my parents in a local rose garden. The square I spend the most time on (the enlarged segment on the right side of the photo) is mostly fabric, but the hands are made of leather, and the zipper pull is a real one cut from a discarded pair of The Man’s jeans. I also did the blue sky piece that says “50.” That one is all tissue paper, using the same technique I do many of the little animal cards in: just torn paper and matte medium. I also did the flower bit, far left, second from the top, in crayon. My sister’s pieces are all gouache. Her husband did his part (third from the top, third from the left) all in wood and The Man did his (right side, second from top) in metal. Other materials include oil pastels, colored pencil, and acrylic. My brother-in-law facilitated the process by creating the individual black and white pieces for guidelines, and by cutting all the 6″x6″ squares so everything would fit together perfectly.
A birthday card for Mx. Kitty, psychonaut and psychedelic researcher: a Sonoran Desert toad (Invilius alvarius) and some fly agaric (Amanita muscaria).
The toad, the mushrooms, and the grass are butcher paper; the background is tissue paper and origami paper. Everything is affixed matte medium, except the spots on the mushroom and the toad’s eyes, which are tacky glued. The black details on the toad are ink.
My friend the Coyote really likes his bike.
I made this card for his birthday because it’s hard to shop for a man who has literally everything he’s ever wanted, including this very expensive bicycle. I guess it’s pretty special, but can’t tell you anything special about it, except that it’s worth more than my car. It was easy to draw, because it figures prominently in his Facebook profile; I didn’t even have to creep around dude’s garage to get the picture. Sketched in pencil on black butcher paper, cut with scissors for the big parts and a scalpel for the details. The desert and mountains are made of layers of tissue paper (used purple with a pink overlay to get that effect on the mountains. The sky is a specialty paper left over from some other project, although I can’t seem to recall which one. The paper is bonded with matte medium, which does very interesting things to tissue paper.
This really is the nicest card.
If you’ve read this blog from the beginning, or ever been in my office, you might see a nod to this old project from The Trickster’s Hat in today’s Shushing Scarlet Macaw. Parrots telling people to be quiet is hilarious for some reason. This one is currently hanging beside a “Quiet Zone” sign I also made for the same classroom that got the blue morpho.
Parrots are pretty cool to look at but I can’t imagine living in the same house as one. They need a lot of attention and I always get the sense that they’re silently judging humans.
Making a paper parrot was obviously a ton of fun. I’ve always loved the plumage on this type of bird; I’ve also got a photo-based design based on a scarlet macaw in my RedBubble shop.