This card is from my stepdaughter’s birthday a couple weeks ago, before the end of the civilization as we know it. It’s fanart from a newish Netflix cartoon called Kipo and the Age of Wonderbeasts, about a post-apocalyptic Earth where most of humanity lives in underground burrows because the surface is rules by mutant animals. If you are trapped in your own home and enjoy that sort of thing, I highly recommend it.
I’m not really allowed to discuss what this card means just yet. Perhaps I can come back later and elaborate. But I made this delicious peach card: it’s a peach, and a heart, and a star. Tissue paper, butcher paper, matte medium, on medium card stock. I love how the colors on the peach came out. It gives me a lot of ideas for using these materials to create other cool colors and textures.
This was a fox card, for the Fox, obviously. One thing and another, I didn’t actually see him on his birthday because he was busy with Otter stuff, and then I ended up looking at this piece all week and seeing all these little mistakes I wanted to fix, but he loved it, so it’s good, I suppose. Except for the 5000 times my terrible cat knocked it onto the floor; that part was less good.
Tissue paper, butcher paper, matte medium, on heavy cardstock.
Our family’s present to Mom and Dad for their 50th wedding anniversary (it was on Christmas, but I’m just getting around to posting it now because the last 2 weeks have been crazy).
For my parents’ 40th anniversary, my sister presented them with a quilt made up of a squares decorated by pretty much everyone they knew or were related to, interspersed with family photos. She just reminded me that the project actually took 5 years from start to finish. My sister-in-law had knitted a square that represented her being pregnant for the first time, but by the time my parents received the quilt, there were photos of my 2 nephews included.
So I had this idea that I wanted to do something like that—collaborative art, a group effort that would create something personally meaningful for my parents—but would not involve herding cats and would be completed in 6 months. I asked my sister for ideas, and this was the one she came up with. You just take a photograph, divide it into a grid, and assign each person 1 or more pieces. All the different art styles and media come together to create this cool gestalt art.
Amazingly, we managed get all the pieces completed and to the framers within the deadline (granted, The Man was still working on his an hour before I went to the framer) and nobody spoiled the surprise, even though a goodly portion of the people involved were small children.
This piece is based on a photograph I took of my parents in a local rose garden. The square I spend the most time on (the enlarged segment on the right side of the photo) is mostly fabric, but the hands are made of leather, and the zipper pull is a real one cut from a discarded pair of The Man’s jeans. I also did the blue sky piece that says “50.” That one is all tissue paper, using the same technique I do many of the little animal cards in: just torn paper and matte medium. I also did the flower bit, far left, second from the top, in crayon. My sister’s pieces are all gouache. Her husband did his part (third from the top, third from the left) all in wood and The Man did his (right side, second from top) in metal. Other materials include oil pastels, colored pencil, and acrylic. My brother-in-law facilitated the process by creating the individual black and white pieces for guidelines, and by cutting all the 6″x6″ squares so everything would fit together perfectly.
For this year’s winter bulletin board, I was inspired by the Danish concept of hygge, which is a national emphasis on coziness during the darkest part of the year, often involving hot cocoa, but I wanted to give it a local spin. Of course, snow in Tucson is rare and scanty when it comes, but up on the mountain it falls in abundance and people who enjoy things that are cold, wet, and inconvenient can go up there and get whatever it is that people who didn’t grow up in the midwest and don’t find the cold debilitating get out of it.
All my bulletin boards are intended to be secular (well, OK, some of them subtly reflect my personal views of pantheism with a sprinkling of paganism and Buddhism, but they are never meant to reflect anything beyond the most superficial trappings of Christianity) but people will insist on attributing everything to Jesus. Apparently the Christians have a monopoly on the word “peace” now? It’s not for Christmas. It’s for winter. We could all use peace and coziness, regardless of whether a fat man in a red suit has ever brought us presents.
How can it be summer already? But it is. School here ends May 23rd, and I’m off to present my thoughts about Bonnie Jo Campbell Comics in Michigan, so I decided to clear this off my plate in a simple but elegant fashion before I left. I’ll do something fancier in the fall. I’m trying to dream big, like I did as a kid, and I hope the kids at this school are too.
The top font is called Indie. The bottom I just drew freehand.
Well, I’m in love with this style of paper cutting, except, obviously, it would work even better in metal. It’s weird that I’ve never even attempted anything like this before; was actually way easier than I thought, probably the only bulletin board I’ve ever done that actually took less time than I’d estimated. The whole thing still took 12 hours over 3 days, but cutting out the details (with a scalpel) didn’t take much longer than sketching them out.
You can view some process pictures on my Instagram feed if you want to see that, along with some closer imagers of each design.
The quote is slightly messed up, probably because I never sleep as much as I need to. There should be another definite determiner between “in” and “contrast.” Still, pretty good stuff. Some kid will probably rip some of the details; they’re very fine and I wasn’t able to hit every spot with glue. It’s too tempting for the littles. After the break, I’ll go back and secure it a bit more.
Speaking of the break, I’m grateful that I didn’t have to get anywhere near an airport this week.