My school district went back to in-person learning after spring break, and I was there making my 2 banners, and a teacher of whom I’m fond seemed pretty stressed out getting her office back together. I told her I couldn’t help her (I had like 25 hours of work to do myself!) but I could offer her a leftover hummingbird I had in a drawer from some other long-ago project. She liked the hummingbird but indicated that she wished she had a pair of them. So I finally got around to making some pairs.
They didn’t come out exactly how I had imagined them but I think they’re pretty cute. I actually made (and kept) the templates so I can quickly cut out hummingbirds in the future, if I ever need to do that.
It’s my dear friend, the Vampire Bat’s, birthday, and I made her this card to amuse her. The background is layered tissue paper, the bat is brown butcher paper, and the starts are holographic foil, but the holographic part didn’t really seem visible once I started cutting. O well. I went back and forth over whether the bat should be black or brown and probably black would be better but it’s already in the mail so that’s that. Hopefully it reaches its destination before my friend’s birthday.
Pretty often I forget people’s birthdays entirely so sending a card 5 days in advance is pretty good.
The execution may have suffered a bit due to the addition of the work in my previous post, but it’s still pretty decent. This one is pretty self-explanatory. I miscalculated the letters and had so much extra space that I had to add the big butterflies, and then miscalculated again and had to add the little butterflies. Plus I miscalculated a third time and ended up with 6 little butterflies rather than the 4 I meant to make. But it’s better this way.
My district is going back to in-person learning after their spring break (which is this week) and the front office staff asked me to work my magic on the front window. (With social distancing, temperature checks, and hand sanitizing, I’m guessing there’s going to be a bit of a bottleneck there in the mornings.) Since I was also making my own back-to-school/spring bulletin board, and this week was break, I really had to jam.
This is the biggest piece I’ve done to date. It’s about 170 cm wide by 180 cm high, which is bigger than me in both directions. It took three people to hang (haven’t figured out how to get a good photograph from outside because it’s behind a glass window and there’s a glare). My head was in all kind of places all week and I was constantly miscounting and mismeasuring things (anybody need a heraldic lion? ‘Cause I have extra) plus I really just slapped all that lettering together in record time and those rainbow bullseyes should have been much more complex mandalas and I’m still quite satisfied with it. The front office staff loved it and the principal thanked me too.
Just found some stuff from last year that I never uploaded, probably because, like most people in the pandemic and most artists all the time, I was a little bit depressed. But this is the bulletin board I made last fall when we thought they were going to reopen the schools, an event they kept (rightfully, intelligently) bumping back, although now it looks like they’re definitely going to reopen after spring break (which would probably be OK if schoolteachers were 1b and were all vaccinated; what a mess). And I’ll have to make a new bulletin board because this one is already blowing apart.
Will schedule at least one other post of old art for later this week. I actually have made and sent so many cards in the pandemic, and most of them I didn’t even take the time to photograph individually. Somewhere, I have an image of a bunch of painted cards, and I might upload them if I can find them.
Well, all things must come to an end, and that includes the waking nightmare that was summer of 2020, and now children are heading back to school in whatever ridiculous configurations are necessary to educate the populace without killing it. In this district, there will be distance learning, with teachers teaching from their homes and children learning in theirs (except for a small number of economically disadvantaged children who will be distance learning in one big, happy, k-12 classroom, with a single aide to watch over them).
I made this bulletin board for those unfortunate souls who do have to be in the building 5 days a week.
The lettering is based on the free font Andhibath Demo. The lion face is based on a stuffed animal my aunt gave me 40 years ago.
Right about now I wouldn’t mind pricking my finger and sleeping for 100 years.
Another card. For some reason, I had the worst trouble getting the colors to photograph properly. This version is close but still not precisely how it’s meant to look (should be brighter). Anyway, I made this card for a nurse who likes to spin and likes the color chartreuse. That’s the whole story.
Sadly, I am not, as of yet, one of those people who has used the pandemic to inspire a vast body of new work. I did some crayon drawing last night that amused me but nothing super internet-ready. Not only is this stupid virus wrecking my social life, it’s also making my daily life extra difficult because I just bought a new house and moving in has become ridiculously complicated. Like, I ordered a refrigerator off the internet, and was just informed that they’re going to deliver it Friday, but they can’t bring it in the house or install it. They’re going to leave the refrigerator in the yard.
If you do not know, I am very small for a human. If I were much smaller, I would be anomalously small. Nobody would look at me and think, “That person could move a refrigerator.”
This week I’ll be sequestering myself away to start Bonnie Jo Campbell Comics volume 4 but I won’t be able to share any of it on this blog because this one will be published in a larger volume of (text based) literary criticism. It’s kind of exciting, except that I won’t make any money off this one. I will likely be the only person in the anthology who doesn’t have a PhD in literature and doesn’t teach it at the university level and doesn’t need to publish in order to maintain my academic credentials. Everything’s different for academics. But I really wanted to be in this book! And it’s flattering that they asked me. So I’m doing it.
After I do that, I’ll really have to start thinking about how I can use my skills and talents to support myself.
It’s the purest form of love there is: the love between a baby dragon and its parent.
Happy Valentine’s Day, whether you hate people or not.
I am trying to love people.
This was a pretty simple piece. I used Sharpie for the black parts (excluding the eyes), which saves a lot of time. I sort of wanted to make the chest part rainbow, but I also sort of wanted to go home, and home won. From a technical perspective it’s not one of my most amazing boards, but from an aesthetic point of view (particularly the aesthetic point of view of an elementary school student) it’s a raging success.
As I adding the stapled details some third graders came to admire my work and asked me what the dragons’ names were. I told them to feel free to name the dragons themselves.
One girl said, “The baby’s name is Shadow.”
So her friend decided, “The big dragon is Midnight.”
Shadow and Midnight. Names that work equally well for black cats as red dragons, apparently.
I’m not really allowed to discuss what this card means just yet. Perhaps I can come back later and elaborate. But I made this delicious peach card: it’s a peach, and a heart, and a star. Tissue paper, butcher paper, matte medium, on medium card stock. I love how the colors on the peach came out. It gives me a lot of ideas for using these materials to create other cool colors and textures.
When you look into the toad’s eyes, you can see god.
A birthday card for Mx. Kitty, psychonaut and psychedelic researcher: a Sonoran Desert toad (Invilius alvarius) and some fly agaric (Amanita muscaria).
The toad, the mushrooms, and the grass are butcher paper; the background is tissue paper and origami paper. Everything is affixed matte medium, except the spots on the mushroom and the toad’s eyes, which are tacky glued. The black details on the toad are ink.