Well, all things must come to an end, and that includes the waking nightmare that was summer of 2020, and now children are heading back to school in whatever ridiculous configurations are necessary to educate the populace without killing it. In this district, there will be distance learning, with teachers teaching from their homes and children learning in theirs (except for a small number of economically disadvantaged children who will be distance learning in one big, happy, k-12 classroom, with a single aide to watch over them).
I made this bulletin board for those unfortunate souls who do have to be in the building 5 days a week.
The lettering is based on the free font Andhibath Demo. The lion face is based on a stuffed animal my aunt gave me 40 years ago.
Right about now I wouldn’t mind pricking my finger and sleeping for 100 years.
Another card. For some reason, I had the worst trouble getting the colors to photograph properly. This version is close but still not precisely how it’s meant to look (should be brighter). Anyway, I made this card for a nurse who likes to spin and likes the color chartreuse. That’s the whole story.
Sadly, I am not, as of yet, one of those people who has used the pandemic to inspire a vast body of new work. I did some crayon drawing last night that amused me but nothing super internet-ready. Not only is this stupid virus wrecking my social life, it’s also making my daily life extra difficult because I just bought a new house and moving in has become ridiculously complicated. Like, I ordered a refrigerator off the internet, and was just informed that they’re going to deliver it Friday, but they can’t bring it in the house or install it. They’re going to leave the refrigerator in the yard.
If you do not know, I am very small for a human. If I were much smaller, I would be anomalously small. Nobody would look at me and think, “That person could move a refrigerator.”
This week I’ll be sequestering myself away to start Bonnie Jo Campbell Comics volume 4 but I won’t be able to share any of it on this blog because this one will be published in a larger volume of (text based) literary criticism. It’s kind of exciting, except that I won’t make any money off this one. I will likely be the only person in the anthology who doesn’t have a PhD in literature and doesn’t teach it at the university level and doesn’t need to publish in order to maintain my academic credentials. Everything’s different for academics. But I really wanted to be in this book! And it’s flattering that they asked me. So I’m doing it.
After I do that, I’ll really have to start thinking about how I can use my skills and talents to support myself.
It’s the purest form of love there is: the love between a baby dragon and its parent.
Happy Valentine’s Day, whether you hate people or not.
I am trying to love people.
This was a pretty simple piece. I used Sharpie for the black parts (excluding the eyes), which saves a lot of time. I sort of wanted to make the chest part rainbow, but I also sort of wanted to go home, and home won. From a technical perspective it’s not one of my most amazing boards, but from an aesthetic point of view (particularly the aesthetic point of view of an elementary school student) it’s a raging success.
As I adding the stapled details some third graders came to admire my work and asked me what the dragons’ names were. I told them to feel free to name the dragons themselves.
One girl said, “The baby’s name is Shadow.”
So her friend decided, “The big dragon is Midnight.”
Shadow and Midnight. Names that work equally well for black cats as red dragons, apparently.
I’m not really allowed to discuss what this card means just yet. Perhaps I can come back later and elaborate. But I made this delicious peach card: it’s a peach, and a heart, and a star. Tissue paper, butcher paper, matte medium, on medium card stock. I love how the colors on the peach came out. It gives me a lot of ideas for using these materials to create other cool colors and textures.
When you look into the toad’s eyes, you can see god.
A birthday card for Mx. Kitty, psychonaut and psychedelic researcher: a Sonoran Desert toad (Invilius alvarius) and some fly agaric (Amanita muscaria).
The toad, the mushrooms, and the grass are butcher paper; the background is tissue paper and origami paper. Everything is affixed matte medium, except the spots on the mushroom and the toad’s eyes, which are tacky glued. The black details on the toad are ink.
To be honest, it all feels worryingly ominous to me, but I’m given to understand that some people actually enjoy this sort of thing.
For this year’s winter bulletin board, I was inspired by the Danish concept of hygge, which is a national emphasis on coziness during the darkest part of the year, often involving hot cocoa, but I wanted to give it a local spin. Of course, snow in Tucson is rare and scanty when it comes, but up on the mountain it falls in abundance and people who enjoy things that are cold, wet, and inconvenient can go up there and get whatever it is that people who didn’t grow up in the midwest and don’t find the cold debilitating get out of it.
All my bulletin boards are intended to be secular (well, OK, some of them subtly reflect my personal views of pantheism with a sprinkling of paganism and Buddhism, but they are never meant to reflect anything beyond the most superficial trappings of Christianity) but people will insist on attributing everything to Jesus. Apparently the Christians have a monopoly on the word “peace” now? It’s not for Christmas. It’s for winter. We could all use peace and coziness, regardless of whether a fat man in a red suit has ever brought us presents.
I made this card for his birthday because it’s hard to shop for a man who has literally everything he’s ever wanted, including this very expensive bicycle. I guess it’s pretty special, but can’t tell you anything special about it, except that it’s worth more than my car. It was easy to draw, because it figures prominently in his Facebook profile; I didn’t even have to creep around dude’s garage to get the picture. Sketched in pencil on black butcher paper, cut with scissors for the big parts and a scalpel for the details. The desert and mountains are made of layers of tissue paper (used purple with a pink overlay to get that effect on the mountains. The sky is a specialty paper left over from some other project, although I can’t seem to recall which one. The paper is bonded with matte medium, which does very interesting things to tissue paper.
Sorry this picture isn’t up to usual standards; I guess I never got a good shot before I installed it.
If you’ve read this blog from the beginning, or ever been in my office, you might see a nod to this old project from The Trickster’s Hat in today’s Shushing Scarlet Macaw. Parrots telling people to be quiet is hilarious for some reason. This one is currently hanging beside a “Quiet Zone” sign I also made for the same classroom that got the blue morpho.
Parrots are pretty cool to look at but I can’t imagine living in the same house as one. They need a lot of attention and I always get the sense that they’re silently judging humans.
You know what this design could use? More shades of blue!
This is from a couple weeks back: a commission to decorate a special ed classroom. There’s another piece I’ll highlight later.
If I hadn’t done the other blue morpho designs I might not have been able to figure this out, but I have a pretty good sense of how light interacts with iridescent surfaces now. It helped that the school changed suppliers for their butcher paper and I’d been hoarding the old blue, giving me 4 shades to work with. The lightest and darkest shades are butcher paper and the middle tones are construction paper. The color is not quite true but it still looks lovely. It’s hanging up in its forever home now.
Not like nuclear power or political power…or maybe it is?
This started out as a much more ambitious idea in which lion-wizard and lion-scientist were in a lion-workshop/lab with all kind of arcane equipment and books and whatnot, but this is what came out of the paper. The kids loved it. Due to scheduling issues, I wanted something that could play through All Souls’ even though I had to put it up mid-September. The lettering isn’t my greatest because I had a time crunch and had to the entire thing in 1 day. It took about 6 hours, but some of that time was me discussing a commission with someone else in the building.