Since the pandemic started I’ve made and mailed a lot of cool cards but I realized that I never took high quality photos of most of them or shared the pictures online. Ran across this image on my DSLR the other day. This is a sunflower card I made for my mother-in-law back in Kansas. Kansans love sunflowers. This is a very Kansas card.
Sunflowers seem simple but if look carefully you realize they’re so complex. I love this card but I could have made it ten times more complicated if I really wanted to get down into the plant’s anatomy. One day I’ll do one where I cut each individual little floret in the center and each individual petal on the outside.
Anyway, my mother-in-law loved it and said she’s hanging it up, which is what I hope people do with these little custon artworks that I spend hours making!
It’s my dear friend, the Vampire Bat’s, birthday, and I made her this card to amuse her. The background is layered tissue paper, the bat is brown butcher paper, and the starts are holographic foil, but the holographic part didn’t really seem visible once I started cutting. O well. I went back and forth over whether the bat should be black or brown and probably black would be better but it’s already in the mail so that’s that. Hopefully it reaches its destination before my friend’s birthday.
Pretty often I forget people’s birthdays entirely so sending a card 5 days in advance is pretty good.
Well, the new baby is like 8 months old now, but I made this little card when he was newer. Baby Amiel will be bilingual—his mother is American and his father is Spanish—so I wanted to make the card bilingual too. A is for alligator and apple in English, and árbol and abeja and amor in Español. Also, Amiel’s middle name is Willow so that tree is doing double duty.
Wow, it’s been so long since I’ve posted something here that WordPress actually logged me out of the site. That never happens.
I have made some art, but most of it was for a book that hasn’t been published yet and the editors asked me not to share it yet. But also, the world is on fire (here in Arizona literally, and figuratively everywhere else) and it’s hard to focus. I’ve been reading a lot.
This card is for my father, who loves cactus, for Father’s Day. By the time this page is published, I’ll have given it to him in a socially distant way. Happy Father’s Day, Dad!
Right about now I wouldn’t mind pricking my finger and sleeping for 100 years.
Another card. For some reason, I had the worst trouble getting the colors to photograph properly. This version is close but still not precisely how it’s meant to look (should be brighter). Anyway, I made this card for a nurse who likes to spin and likes the color chartreuse. That’s the whole story.
Sadly, I am not, as of yet, one of those people who has used the pandemic to inspire a vast body of new work. I did some crayon drawing last night that amused me but nothing super internet-ready. Not only is this stupid virus wrecking my social life, it’s also making my daily life extra difficult because I just bought a new house and moving in has become ridiculously complicated. Like, I ordered a refrigerator off the internet, and was just informed that they’re going to deliver it Friday, but they can’t bring it in the house or install it. They’re going to leave the refrigerator in the yard.
If you do not know, I am very small for a human. If I were much smaller, I would be anomalously small. Nobody would look at me and think, “That person could move a refrigerator.”
This week I’ll be sequestering myself away to start Bonnie Jo Campbell Comics volume 4 but I won’t be able to share any of it on this blog because this one will be published in a larger volume of (text based) literary criticism. It’s kind of exciting, except that I won’t make any money off this one. I will likely be the only person in the anthology who doesn’t have a PhD in literature and doesn’t teach it at the university level and doesn’t need to publish in order to maintain my academic credentials. Everything’s different for academics. But I really wanted to be in this book! And it’s flattering that they asked me. So I’m doing it.
After I do that, I’ll really have to start thinking about how I can use my skills and talents to support myself.
I’m not really allowed to discuss what this card means just yet. Perhaps I can come back later and elaborate. But I made this delicious peach card: it’s a peach, and a heart, and a star. Tissue paper, butcher paper, matte medium, on medium card stock. I love how the colors on the peach came out. It gives me a lot of ideas for using these materials to create other cool colors and textures.
When you look into the toad’s eyes, you can see god.
A birthday card for Mx. Kitty, psychonaut and psychedelic researcher: a Sonoran Desert toad (Invilius alvarius) and some fly agaric (Amanita muscaria).
The toad, the mushrooms, and the grass are butcher paper; the background is tissue paper and origami paper. Everything is affixed matte medium, except the spots on the mushroom and the toad’s eyes, which are tacky glued. The black details on the toad are ink.
I made this card for his birthday because it’s hard to shop for a man who has literally everything he’s ever wanted, including this very expensive bicycle. I guess it’s pretty special, but can’t tell you anything special about it, except that it’s worth more than my car. It was easy to draw, because it figures prominently in his Facebook profile; I didn’t even have to creep around dude’s garage to get the picture. Sketched in pencil on black butcher paper, cut with scissors for the big parts and a scalpel for the details. The desert and mountains are made of layers of tissue paper (used purple with a pink overlay to get that effect on the mountains. The sky is a specialty paper left over from some other project, although I can’t seem to recall which one. The paper is bonded with matte medium, which does very interesting things to tissue paper.
My ridiculous heath issues have put a damper on my creative activities of late, but I have a friend whose health issues are much more serious; she had major surgery today and I decided to make her this card. Get well soon. You know.
Recently I decided that I should stop hoarding paper and just try to use it all to make art. I also have some papier-mâché I might post later, but the projects I have in mind are more complicated than just slapping colors on a balloon, and I’ve only done the preliminary steps.
As always, I see a million ways this could be a better image, but I’m only at about 50% capacity lately, so just being able to work at all was a coup.
With a little touch up in Photoshop, this could be a RedBubble design.
This is a card I made for a friend’s lingerie-themed bridal shower. The dark red edging around the letters is Sharpie and the rest of the design is cut origami paper, some leftovers from my 1000 paper cranes project. The word “sexy” is also cut paper. It was almost one contiguous piece but I ripped it the tiniest bit while cutting it out, and then ripped it again trying to fix it.
I’ve been mostly working on another project while obsessing over the future of humanity. Part of me felt defeated by reality and overwhelmed with helpless terror, but then I read this New York Times article and thought about what Rabbit keeps reminding me about samizdat and it’s like—yeah, one tiny voice against a hurricane, but also, a million tiny voices against a hurricane. Some people think Trump wanted Bannon off the security council because he resented the media’s implication that Bannon was pulling the strings. I drew this comic after being tagged in a Facebook status that suggested cartoonists portraying Bannon as a puppetmaster could help limit his influence by appealing to Trump’s grandiose sense of being the most (only?) important person in the world.
I’ll draw webcomics again, I guess, but 4-5 a week isn’t going to happen at least until I finish the other project. In case you’re wondering, it’s called “Close Encounters of the ∞ Kind.” I didn’t name it; it’s a collaboration. I should probably talk about about it later.