Just found some stuff from last year that I never uploaded, probably because, like most people in the pandemic and most artists all the time, I was a little bit depressed. But this is the bulletin board I made last fall when we thought they were going to reopen the schools, an event they kept (rightfully, intelligently) bumping back, although now it looks like they’re definitely going to reopen after spring break (which would probably be OK if schoolteachers were 1b and were all vaccinated; what a mess). And I’ll have to make a new bulletin board because this one is already blowing apart.
Will schedule at least one other post of old art for later this week. I actually have made and sent so many cards in the pandemic, and most of them I didn’t even take the time to photograph individually. Somewhere, I have an image of a bunch of painted cards, and I might upload them if I can find them.
Wow, it’s been so long since I’ve posted something here that WordPress actually logged me out of the site. That never happens.
I have made some art, but most of it was for a book that hasn’t been published yet and the editors asked me not to share it yet. But also, the world is on fire (here in Arizona literally, and figuratively everywhere else) and it’s hard to focus. I’ve been reading a lot.
This card is for my father, who loves cactus, for Father’s Day. By the time this page is published, I’ll have given it to him in a socially distant way. Happy Father’s Day, Dad!
Right about now I wouldn’t mind pricking my finger and sleeping for 100 years.
Another card. For some reason, I had the worst trouble getting the colors to photograph properly. This version is close but still not precisely how it’s meant to look (should be brighter). Anyway, I made this card for a nurse who likes to spin and likes the color chartreuse. That’s the whole story.
Sadly, I am not, as of yet, one of those people who has used the pandemic to inspire a vast body of new work. I did some crayon drawing last night that amused me but nothing super internet-ready. Not only is this stupid virus wrecking my social life, it’s also making my daily life extra difficult because I just bought a new house and moving in has become ridiculously complicated. Like, I ordered a refrigerator off the internet, and was just informed that they’re going to deliver it Friday, but they can’t bring it in the house or install it. They’re going to leave the refrigerator in the yard.
If you do not know, I am very small for a human. If I were much smaller, I would be anomalously small. Nobody would look at me and think, “That person could move a refrigerator.”
This week I’ll be sequestering myself away to start Bonnie Jo Campbell Comics volume 4 but I won’t be able to share any of it on this blog because this one will be published in a larger volume of (text based) literary criticism. It’s kind of exciting, except that I won’t make any money off this one. I will likely be the only person in the anthology who doesn’t have a PhD in literature and doesn’t teach it at the university level and doesn’t need to publish in order to maintain my academic credentials. Everything’s different for academics. But I really wanted to be in this book! And it’s flattering that they asked me. So I’m doing it.
After I do that, I’ll really have to start thinking about how I can use my skills and talents to support myself.
It’s the purest form of love there is: the love between a baby dragon and its parent.
Happy Valentine’s Day, whether you hate people or not.
I am trying to love people.
This was a pretty simple piece. I used Sharpie for the black parts (excluding the eyes), which saves a lot of time. I sort of wanted to make the chest part rainbow, but I also sort of wanted to go home, and home won. From a technical perspective it’s not one of my most amazing boards, but from an aesthetic point of view (particularly the aesthetic point of view of an elementary school student) it’s a raging success.
As I adding the stapled details some third graders came to admire my work and asked me what the dragons’ names were. I told them to feel free to name the dragons themselves.
One girl said, “The baby’s name is Shadow.”
So her friend decided, “The big dragon is Midnight.”
Shadow and Midnight. Names that work equally well for black cats as red dragons, apparently.
I’m not really allowed to discuss what this card means just yet. Perhaps I can come back later and elaborate. But I made this delicious peach card: it’s a peach, and a heart, and a star. Tissue paper, butcher paper, matte medium, on medium card stock. I love how the colors on the peach came out. It gives me a lot of ideas for using these materials to create other cool colors and textures.
This was a fox card, for the Fox, obviously. One thing and another, I didn’t actually see him on his birthday because he was busy with Otter stuff, and then I ended up looking at this piece all week and seeing all these little mistakes I wanted to fix, but he loved it, so it’s good, I suppose. Except for the 5000 times my terrible cat knocked it onto the floor; that part was less good.
Tissue paper, butcher paper, matte medium, on heavy cardstock.
When you look into the toad’s eyes, you can see god.
A birthday card for Mx. Kitty, psychonaut and psychedelic researcher: a Sonoran Desert toad (Invilius alvarius) and some fly agaric (Amanita muscaria).
The toad, the mushrooms, and the grass are butcher paper; the background is tissue paper and origami paper. Everything is affixed matte medium, except the spots on the mushroom and the toad’s eyes, which are tacky glued. The black details on the toad are ink.
I made this card for his birthday because it’s hard to shop for a man who has literally everything he’s ever wanted, including this very expensive bicycle. I guess it’s pretty special, but can’t tell you anything special about it, except that it’s worth more than my car. It was easy to draw, because it figures prominently in his Facebook profile; I didn’t even have to creep around dude’s garage to get the picture. Sketched in pencil on black butcher paper, cut with scissors for the big parts and a scalpel for the details. The desert and mountains are made of layers of tissue paper (used purple with a pink overlay to get that effect on the mountains. The sky is a specialty paper left over from some other project, although I can’t seem to recall which one. The paper is bonded with matte medium, which does very interesting things to tissue paper.
Sorry this picture isn’t up to usual standards; I guess I never got a good shot before I installed it.
If you’ve read this blog from the beginning, or ever been in my office, you might see a nod to this old project from The Trickster’s Hat in today’s Shushing Scarlet Macaw. Parrots telling people to be quiet is hilarious for some reason. This one is currently hanging beside a “Quiet Zone” sign I also made for the same classroom that got the blue morpho.
Parrots are pretty cool to look at but I can’t imagine living in the same house as one. They need a lot of attention and I always get the sense that they’re silently judging humans.
You know what this design could use? More shades of blue!
This is from a couple weeks back: a commission to decorate a special ed classroom. There’s another piece I’ll highlight later.
If I hadn’t done the other blue morpho designs I might not have been able to figure this out, but I have a pretty good sense of how light interacts with iridescent surfaces now. It helped that the school changed suppliers for their butcher paper and I’d been hoarding the old blue, giving me 4 shades to work with. The lightest and darkest shades are butcher paper and the middle tones are construction paper. The color is not quite true but it still looks lovely. It’s hanging up in its forever home now.