
It works excellently as an introduction to the entire project; it’s the only one that ties directly back to the book in terms of locating it in Whiteheart, Michigan. The others read more traditionally like fairy tales than this. I think it’s also the shortest of the 13 stories in this book.
Long time readers will note that I employed a completely different style of art than I used for the 4 previous volumes. When I originally envisioned this project, I expected to draw a lot more symbols that specifically sprung from the pages of The Waters; in the long run, the style choices I made precluded that type of detail, but I did feel pretty strongly that this page, at least, needed to feature a LOT of celery.







