Tag Archives: tiger

Tyger Tyger part 2

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Somehow I managed to carve out a couple hours to finish this thing before December swallows the clock whole! I start teaching again tomorrow, so that’s going to eat up my Tuesdays until May. I needed to get this thing done.

i feel like I slightly phoned it in. Mismeasured the last line so that’s annoying but what can you do? I mismeasured where I placed the tyger on the first board and had to truncate his tail. O well.

This is basically a joke for myself and the very few other people who are familiar with this poem AND my work. Because the poem is religiously themed. The whole book is about God, a mystic experience of God, but a Christian God, which I don’t believe in. Obviously, I don’t think my hand or eye are immortal, but the evidence is right here—it’s *my* hand and eye that framed this paper tyger’s fearful symmetry.

So that’s what I created. A meta-tyger to illustrate my mortal and two-dimensional fabrication of a tyger.

I doubt anyone at the school will get it or notice.

I had to go back after I finished and change the scissors. The scissors I was using at the time had black handles, so I made the paper scissors black as well, rendering them invisible against the black background. I hastily patched red handles on top when I realized my mortal mistake, so the second pair isn’t quite as perfectly aligned with the hands and blades as the first, but I think this scans.

Tyger Tyger part 1

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This is, of course, an excerpt from William Blake’s “The Tyger” from his book Songs of Experience. This is a famous poem you likely read in English class a million years ago, which explores religious themes about creation. In the book, the poem appears in Blake’s handwriting, accompanied by a watercolor illustration of a tiger, which suggests that William Blake never saw a tiger in his life and had no idea what one might look like (Blake’s tiger looks like a taxidermied sloth-bear-dog) but he didn’t have the benefit of being able to access the sum total of human knowledge from a tiny box from which he could lifelike images of his subject while lounging around the studio in his pajamas.

Not being the religious type, I have a fun idea for the next panel, which I hope to finish next week.

My tiger is also hilariously inaccurate, but in my lifetime I have seen many tigers, real and in images and videos, and I think mine, as comical and cartoonish as I made it, is more recognizably tigerish.

As usual I see a million mistakes I made. But it’s cute. I just don’t have the time or energy to focus minutely on this project lately. I am making a lot of art, and my hand only has so many hours of functionality.

Circus Matinee

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waoa 1 circus matinee_edited-1

Her hair is meant to be “lightning struck,” which is possibly up for interpretation. This is how I interpreted it. 

Flipping back through the previous 2 volumes of Bonnie Jo Campbell comics, I was struck by something Bonnie said in conclusion, that she wrote her stories to inspire compassion in readers, to make them care about the marginalized folks that she most often writes about. She wants her characters to be seen, especially those types of characters who we often don’t really see.

Big Joanie is the kind of person that it’s easy not to see clearly, to dismiss for being big and fat and ugly, with bad skin and bad hair, and in the case of most of the men in this story, to sexually objectify because, not in spite, of her lack of conventional attractiveness. “Circus Matinee” puts us inside of Big Joanie’s head, where we can see her being overlooked and objectified and we get to see her reaction to it. She’s used to it. She accepts it. She anticipates it.

But also, because it’s all she’s ever known, it’s all she ever expects.

This is the story of a moment. The tiger is out of its box, and now, so is Big Joanie. In that moment, she chooses not to obey, not to remain sightless as she has been made in the past, as the hapless, sexually objectified mistress in the cheap seats remains in the moment. Big Joanie says “fuck you” to men who tell her what to do and what to see. When Big Joanie chooses to see, the reader can’t not see her. We’re cheering for her.

The tiger and the snow cone pictures came out pretty well. The feet in panel 2 remind me of drawing Carl Betcher’s feet in “Multitude of Sins” from Mothers, Tell Your Daughters. I felt gross about drawing young Big Joanie in panel 5; in my first draft she was fully dressed, but that doesn’t reflect the text and doesn’t make sense. I left her the one pant leg, small comfort. Big Joanie’s face is based off the actress Dot Marie Jones, who always turns in the kind of performance that does make you look, and see. The adulterous businessman in panel 4’s face is based off convicted felon and poster boy for casual evil Martin Shkreli.