Hey! I drew a comic about going to therapy. Can I be in the New Yorker now? Or is my wit not dry enough? I tried to draw the therapist’s smile kind of forced and tight-lipped, but she still looks kind of happy, so maybe the art isn’t there. Yet. The Man believes it’s getting there.
The therapist comic seems like such a staple. So, whenever I have an idea for a comic, there’s always this voice asking if I’ve really had an idea for a comic, or if I’m just remembering something that someone else did years ago, that I read and forgot about, but which has been hanging around in my subconscious for all this time. How do you know? It’s not like there’s a big database of comic ideas and you can type in keywords and see whether or not someone’s already thought of the same gag. In face, I’ve seen different artists do essentially the same joke lots of time, and they’re probably not stealing, intentionally or otherwise.
If a musical genius like George Harrison can commit “subconscious plagiarism,” what hope is there for anyone? Am I funny, or am I just repeating someone else’s joke?
That’s the one-panel gags, obviously. The big comics about my bizarre life are mine alone, of course. And maybe if I get a Patreon and/or a Kickstarter and start making money off of comics I could do long ones every day. Still, the one-panel form is an important one.
I guess the secret is to make everything absolutely as personal as possible. No one else has my life experience. Not even remotely.
Probably, no one’s done quite this comic. Originally I wondered if the man and the woman shouldn’t be the banged up ones, but implications of domestic violence seemed like they would detract from the joke. They’re not trying to hurt each other. Things just got out of hand and the therapist got in the way by mistake.
Special thanks to The Man for his suggestion that the glass on the diploma be shattered.