The Stories of Our Lives

That's so cool! I was actually thinking about getting into smashing the patriarchy myself. Is there, like, some kind of newsletter I could subscribe to?

That’s so cool! I was actually thinking about getting into smashing the patriarchy myself. Is there, like, some kind of newsletter I could subscribe to?

I’m getting excited about writing again. As a few people know, I have written 10 novels. Two of them are bouncing around the Internet, 2 of them have been nudged and prodded by a couple agents and a publisher before whimpering off with their tails between their legs, and most of them just sort of exist. They have plans, but no executions. After completing my last novel, I massive undertaking, I sort of walked away from 25 years of constant novel writing to think about visual art; you can go back to page 1 of this blog and read it in order to get the entire story. It takes a while to tell it.

But I did send the ms for this last novel, an 800 page behemoth, out to the Desert Rats: Rabbit, Fox, and Owl. And I’m just starting to get some feedback on it, and the feedback seems good. The revision actually seems possible. I’m rereading it myself–it’s been about 2 years, I guess–and liking what I have, seeing where it could be tightened, noticing problems that didn’t get fixed in my last pass.

Plus, I’ve been working on a short story in comic form. Short stories are not my forte. I’ve only ever written a couple I was completely happy with. I can do novel, and I can do flash, but short stories elude me. But working in comic form might be liberating. I know the entire story, suddenly. It started out as a 16 panel gag, a short of blunt, deadpan, New Yorker style punchline at the end, but it took 20 panels to get to the end, and by the time I got to the joke it was more poignant than funny I was too invested in the characters to let their troubles be a joke and immediately I started to see the solutions to their problems. Now it’s 56 storyboarded panels, and if I can get out the rest of the dialog and thumbnails and actually find a style and draw the entire thing, I will feel much more confident about my graphic novel project, which is only one chapter from being completely scripted (although I stopped storyboarding before that, when I realize my thumbnails were completely useless and that you can’t put 12 panels on every comic book page if you want the images to actually express something.

As for this photo comic, it’s, as The Man has taught me to think of it, Kaufmanesque, in that I know it’s bizarre and I really couldn’t care less whether or not you think it’s funny. I think it’s funny.

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