The Explosive Mandala

My lucky stars!

My lucky stars!

This mandala is structurally interesting in that it’s based on sevens, an odd prime number. Its primary shape is that of a seven-pointed star, and the various layers comprise more seven-pointed stars. Naturally, there’s a bit of a skew to it, but it sort of balances itself in perfect imperfection.

Earlier the outline of a provocative and thoughtful blog entry about art existed in my mind, but now there is nothing there but a blank sheet of paper. No doubt the disappearing ink will reappear tomorrow. Today was sort of a bust for me: I took a salsa class and baked a quiche for a picnic, but I didn’t make any art. (Some might argue that dancing is making art, but it was only my second class and I’m not that good, so I don’t know if you really want to call it art as much as trying not to get stepped on while not understanding Spanish. The quiche was good but I wouldn’t call it art.)

It’s a rare day for me with no drawing or writing. It feels like the opposite of a vacation. It feels like a burden.

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Also, attracting, sweet-smelling, and modest. Modesty is a very attractive quality in someone of my obvious talents.

Also, attracting, sweet-smelling, and modest. Modesty is a very attractive quality in someone of my obvious talents.

Being an artist requires a special degree of selfishness. You have to be willing to put your art first, at least some of the time. You have to want to. It’s like being in love. You have to choose it over other things that people might find more exciting. If you are in a relationship with your art, sometimes you’ll leave a party because you’d rather be with your art. Sometimes you will be mentally checked out of your other (human) relationships, because you want to be with your art.

So the first kind of selfishness is the kind where you say, “I choose the act of creation over other activities.” But I’ve also been mulling over this other kind of selfishness, which is the idea that you have to love your art unconditionally. You have to have faith in it within a bubble where no outside criticism penetrates.

That’s the tricky part, of course. When you’re 9 and you don’t know anything, yeah, maybe you can look objectively at what you’ve done and understand that it’s not as good as something else, but at the same time, if you’re in love with your art, you primarily view it subjectively. You have to be in love with the idea that you have created something that represents a mountain, a dragon, and idea. If you are, then you believe in its righteousness, full stop. Other people’s opinions don’t affect yours. You don’t solicit them, and you don’t really care about them when they’re offered, unless they validate your beliefs in the supremacy of your creation.

Criticism creates doubt and halting timidness in creation. Rather than unleashing ideas, you hold them back, anticipating how other people might cut them down. You can’t generate new realities if you feel that what you have to offer the world isn’t going to measure up to the world’s standards.

The question is, how do you maintain that unwavering, childlike understanding of your own inherent greatness while still improving? Can a person accept feedback, even criticism, and integrate it into their understanding, without losing that perfect faith? Is it possible to selfishly embrace the idea that your art is perfect while remaining open to the possibility that it could be more perfect.

Part of me would return to that vacuum, to the solitary act of creation with no followup. Not needing accolades is refreshing. Another part of me has learned that the act of creation is not complete until others have experienced your creation, though. Unread writing, a film without an audience, a painting in the dark, they don’t yet exist. So we’re still working on this balance. Believe you are worthy of worship at the same time that you believe that you can be even worthier.

Bulletin Boards for Continuity’s Sake

For the sake of getting all of them in one place, I’ve decided to upload some of my early bulletin boards. A few decent layouts that happened to be more text than image, didn’t get added in the backstory part of this blog. However, it’s nice to have them all under one category, in case people want to review. I don’t have exact dates for the old ones, but maybe I will work that out someday.

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Giving Thanks

This is my first or second Thanksgiving design. The quote is “Mankind owes to the child the best it has to give,”  from the UN Declaration of the Rights of the Child. I love the font as well as the message. Since there are people who seriously don’t believe anyone has a right to any of those things, it’s nice to know that there are organizations asserting that yes, kids should have healthcare and education (and food and peace and love and shelter and play and freedom). I would also add “water” to this sentiment, but I guess it’s sort of implied in food.

Who Do We Love?

Who Do We Love?

It’s too bad that this image is not high enough resolution to make out all the text. I remember that white heart on the left talks about the Roman celebration of Lupercalia on the one on its right is about the real Saint Valentine. The slightly smaller heart on the far right just lets people know that I will add a heart for them if they think of more categories of things to love. This is either my first or second Valentine’s themed bulletin boards.

I don’t do particular holiday anymore so much as I do feelings and emotions. Typically, For Thanksgiving and the winter holidays I’ll have a theme about light and family, for example. Usually there will be something with a heart in mid or late winter but it won’t necessarily be about the holiday.

This Wednesday would be the day that I would switch from the New Year’s design to something for springtime (although thematically, these tend to offer similar ideas, and yes, I’m aware that that east coast and midwest are still snowed in; here in Arizona it’s the time of wildflowers and new leaves) but I got called up for jury duty that day. I’m still hoping I won’t have to go. Jury duty is ridiculously anxiety producing for me, and I’ve never even gotten past the first room where they make you watch a film about democracy. I totally believe in the potential of democracy and a trial by a jury of your peers, but I find getting up early to be physically debilitating, and I find being forced to sit on a hard plastic chair in a room full of strangers for an unspecified period of time incredibly stressful, and I also find being in the courthouse in general psychologically unpleasant (like, poking old PTSD unpleasant). If you could fulfill your jury duty online, watching the trial on your own schedule (within reason, of course), I’d be way more into it.

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It's all kind of up in the air.

It’s all kind of up in the air right now. 

My inner child is older and wiser than she used to be.

About a year ago my brother emailed me to ask my opinion of the “accuracy” of some depictions of the writing process in The World According to Garp: “To begin with, is it true that when you write everything seems connected to everything else?” My short answer: “cf: synchronicity.”

When a story is working, when the characters and their motivations are real and defined, it drives itself, and the world is its fuel. It just keeps shoveling ideas in one end, and plot comes out the other. Sometimes all you have to do is pick the words that keep the ideas in order. Yes, everything feeds writing. Some writers may be more focused in terms of which field they let the machine graze in, but whatever you have, that’s what gets in.

He also asked some intelligent questions about how stories are generated, and this is different for every writer, I think, but they don’t tend to spring fully formed like Athena from the brow of Zeus, unless you are very, very lucky. You still have to put the pieces together and keep the mechanism tuned: now it needs a new character, now a change of scenery.

Writing this comic, at this particular time in my life, has grown enlightening. I’m glad so many people are on this journey with me, but I’m writing it for myself. We wouldn’t have set off on this particular path if not for the unfortunate episode of bullying I wrote about a couple weeks back, which in turn led me to ask myself a series of questions, and the questions went deeper and deeper into the past, but kept dovetailing with questions about the present and future. It speaks to me as a tool for understanding, learning, and accepting.

In short, I’m working through some stuff here. Stay tuned. If you dare.

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Opportunity, perception, whatever: opening doors...

Opportunity, perception, whatever: opening doors…

What a week. Too many plans, too much going on, not enough sleep. It makes me cranky. At least my splintered hands are 90% healed.

Today’s comic, as opposed to Monday’s and Wednesday’s, came off in record time, just over an hour for the entire thing, including the text. The only parts I had to think about were the hand on the door, and how dragon looks turning into the light. Used the model for that one! Speaking of which, I have a commission for a little clay model that must be completed soon. But first I have to write these essays about graphic novels for this other project. And then I’m making curtains for Mrs. and Mrs. Cat.

Plus this week I booked my first paying photo gig. People have been approaching me about photography work all year, for trade or for volunteer stuff, and especially since I started shooting DSL, but nothing ever came together before. This one looks definite. We’ll shoot half out in the desert and the other half in this stunning house belonging to a friend who lives in the suburbs.

The Past is Pointy and So Is This Mandala

Mistakes were made.

Mistakes were made.

Without notes, it’s hard to remember some of the details, but I have a pretty good idea that this mandala is about ill-advised relationships, about feeling tied (or in this case, sewn to) to a person who is emotionally dangerous to you. Sometimes things can feel good or right in the moment, but all the while they’re slicing you up and leaving scars. Sometimes, those are the hardest relationships to get away from.

Speaking of things that slice you up and leave scars, the detail I was too tired to write about yesterday concerned thorns. In my hands.

As many readers know, I live in the desert, where much of the local flora is extremely pointy. Even the trees can be insanely dangerous. Before we bought our house, The Man and I lived on a property where the mesquite trees had 4-inch thorns. I’m not even exaggerating. Every person who ever lived there had, at least once, the experience of going outside wearing shoes and accidentally stepping on a thorn so long that it penetrated the sole and pierced deep into their foot.

We have a mesquite tree here, but it’s not quite as dangerous, and it’s at the very back of the property, where its calculated unruliness helps stem the flow of traffic from the utility easement into our yard. We also have a palo verde tree that is very close to the house. Probably, it should be removed, but I’m sort of fond it it, even though it’s considered a weed tree. They grow so fast that this one has begun to take over our roof.

Palo verdes are also thorny, and while the thorns are much smaller, to my mind, the small ones are much more insidious. This did not deter me; once up there, I could see that the tree was compromising the roof. There was a 3-inch mat of the needle-like leaves, which were trapping water and causing the insulating foam to decay. It took me 4 hours, spread out over 2 days, to clear them off and cut back as much of this tree as I could reach, and I was so intent on the job that I didn’t even notice my hand filling up with little tiny thorns.

My right (dominant) hand took the brunt of it, with the first knuckle of my index finger being severely compromised with three piercings. I could barely straighten it for 2 days, and the first knuckle of the left index finger also had one thorn stuck in it, which made simple tasks like putting on pants pretty painful. The Man dug around in my flesh with a needle to the best of his ability, but the thorns were too small, too deep. They’ll just have to work themselves out on their own.

So that’s what I was contending with last night. The pain is greatly receded today.

A few years back, The Man and I were trimming a date palm out front. Most people don’t realize that palm fronds can be incredibly sharp. Both of us took a pointy piece of frond deep into the hand, so far in that there was no extracting those pernicious little slivers. Six weeks later, within 24 hours of each other, we both were surprised to find our bodies expelling tiny, woody spear tips that we had forgotten were inside of us. So I expect that sometime around the end of March, I will be reminded of this experience on a strange day when my hands eject a dozen tiny minuscule palo verde thorns.

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Well, at least whatever's in there is probably reasonably hygienic.

Well, at least whatever’s in there is probably reasonably hygienic.

Pacing. It’s easier to maintain in 4 panels than it is in real life.

For this reason, I cannot comment on the meaning or artwork in today’s comic. I started panel 3 way too late in the evening and now I can’t even read it to make sure there aren’t any spelling mistakes because my eyes are all blurry with sleepiness.

I can’t even remember what I was going to write about why I couldn’t write anything.

I’m really very tired. But there will be a comic before the east coast wakes up, so I’ve fulfilled my promise to myself, even if this text makes no sense.

Punk Rock Raven Goes Totally Hollywood

Raven: out of the forest, into the city.

Raven: out of the forest, into the city. Photo courtesy of VioletPhotography

Direct from California, we have another iteration of Punk Rock Raven, pictured here on a red tank top modeled by the ever-lovely Violet.

One takeaway I’ve gotten from customers is that the sizing on some of the shirts is unexpected. Although the site shows a female model wearing the “unisex tank top” (pictured above), the sizes on that product are actually calculated for men. The “racerback tank,” however, does use women’s sizing: the chest measurement for a small racerback is 3 inches less than that of a small unisex tank. In any case, if you’re on RedBubble buying a T-shirt, and you’re trying to decide which size is correct for your body, there’s a tiny link beneath the size choices that says “sizing chart,” which explains how that particular style is cut. It’s different for the different types of shirts, so I would advise checking that out before you order. Then you can easily measure yourself/your favorite shirt, and choose accordingly.

Closer view of the bird. Every feel like giving someone the bird? Well, now you can.

Closer view of the bird. Every feel like giving someone the bird? Well, now you can. Photo courtesy of Violet Photography.

I noticed that this design wasn’t available on the coffee and travel mugs, so I reuploaded it to remedy that oversight. Now Punk Rock Raven can join you for breakfast or on the road.

Click this link to check out Punk Rock Raven products in the QvD shop!

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Everyone's a superhero. Everyone's a Captain Kirk.

Everyone’s a superhero. Everyone’s a Captain Kirk.

The first step from the dark to the light can be blinding. And intense. You might see things you’re not ready to see. You might be forced to confront ideas that you’ve been trying to ignore. It’s tempting to keep the scary stuff hidden in the shadows, but you can’t go stumbling around in the dark forever, either.

Fortunately I was able to recycle the background from yesterday, because this weekend was a really busy one, and this comic was started shortly before dinner and finished just after midnight. But here it is. We might hang back for a little bit, scope out the situation before committing.

Have courage, Dragon!

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I thought you said don't go into the light.

I thought you said don’t go into the light.

And the light comes spilling in.

Feels a little like I’ve been stumbling around in the darkness myself. This comic is visually fairly simple, especially since I’ve been paying so much attention to light lately, but it took forever to draw, mostly because I haven’t been feeling all that spectacularly lately.

However, Dragon and the Blue Morpho Butterfly called Hope are rapidly approaching some sort of revelatory room, one that appears brilliantly illuminated.

Maybe tomorrow will be a brighter day.