Tag Archives: black and white

Cats don’t comprehend insomnia

Cats recognize faithful servants and reward them well.

Cats recognize faithful servants and reward them well.

Last night, as I was getting ready for bed, I walked through a darkened hall and stepped on something cold and slightly moist with my bare foot, and I knew exactly what had just been squished beneath my naked skin, because I’ve stepped on dead mice before. The cat helpfully leaves them in my path, on the only rug in the entire house, because, despite the fact that I feed her regular food and treats every day without fail, she apparently considers me a terrible hunter. The mice are pretty easy targets; they live in the compost heap and even I’ve killed one (by accident, with a pitchfork, while turning the pile). I can’t get myself worked up over mice living in the compost heap–they’re kind of cute when they’re alive, and even though my neighbor in convinced they probably carry the hantavirus, the heap is a pretty safe distance from the house–but the cat is vigilant about their community, and spends many hours a day sitting on the wall, gazing down at their home with dedication to an ultimate goal.

The dead ones are better than the disabled ones. In her quest to teach me how to hunt, she tried bringing me creatures with broken backs, still alive, but unable to walk. She must be perplexed when I let The Man finish them off for me. He grew up on a farm, and has more experience killing animals. In addition to mice, she has gifted me with many lizards, a sizable number of songbirds, and on one memorable occasion, a snake. It was a worm snake with a broken back, able to dart its head around, but paralyzed on the back end.

To her credit, we had a terrible cricket problem in here before she decided to move in, and, mysteriously, since her arrival, the house is no longer infested with crickets chirping their heads off all night in the walls.

In case it’s not obvious, this is another insomnia comics. Insomnia comics are drawn the night after insomnia, when the gears of my mind are sticky and don’t want to turn. I’m sure plenty of funny things happened today, but they didn’t want to be comics. There was the mom pushing a kid in a stroller even though that kid was clearly old enough to walk, and threatening to take away his dinosaurs every time he made a sound even though we were in a room full of screaming kids, for example. That’s weird, right? But I’m too tired to make sense of it. Oh, and then there was a conversation I had with my 86-year-old grandmother, during which she made fun of climate change deniers. And at dinner, we bumped into some friends we hadn’t seen in a while, one of whom is a physicist, who told me that his Ph.d. thesis disproved the concept of teleportation. There’s got to be a joke in that somewhere. Maybe tomorrow I’ll remember how to be funny. Right now I’m just kind of stressed out.

Today also should have been the day that I started my holiday bulletin board, but I was too tired to think of a picture or decide on any text. As my mother always said, “Tomorrow is another day.”

The Trickster’s Hat Part 3

If you’re familiar with Nick Bantock’s work, you know that collage figures prominently. Collages are fun; throughout my life, I’ve often created them, not with the intention of producing a work of great art. They offer a method of self-expression, but they’ve never seemed to require any great amount of creativity.

Exercise 4, Part 1: early childhood. I was a bit of an alien.

Exercise 4, Part 1: early childhood. I was a bit of an alien.

Exercise 4 began with 3 cardboard squares and asked for an autobiographical triptych, complicated by the restriction that the images must all be black and white. In fact, in the 21st century, black and white printing isn’t terribly common. Color printing is so very cheap, and so much more eye catching. Even newspapers are printed in color, but I didn’t have much in the way of newspaper either, since it’s the 21st century.

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Exercise 4, Part 2: Adolescence. Dark and confusing, morbid and upside down, with moments of hope.

For the most part, the materials I had on hand were old National Geographic and Smithsonian magazines. I found a few usable images in the local free entertainment paper, The Tucson Weekly, and one or two bits in my husband’s trade magazines. Toward the end, as the squares began to fill up, I utterly ran out of useful black and white images and finished with a couple things printed in black on colored paper: the invitation to an annual volunteer breakfast I never attend, the map to the Arizona Renaissance Festival, the thank you notes we had custom printed for the wedding.

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Exercise 4, Part 3: The Present. My life is basically awesome. I am older and wiser, with a supportive life partner and plenty of experience. I know who I am.

I was pleased with the final product. These panels do represent my life, even if I don’t feel that collages require much talent or effort. Talking about these images is complicated, though; they’re very personal and meaningful, even with the limits set on the exercise. But collages are easy. I still wanted to learn to draw better.