Tag Archives: dragon comics

Dragon Comics 28

dragon comic 28_edited-2

You can never have enough magic, can you?

Never enough hours in the day.

The silly season has begun, the time of year when it’s not unusual to be invited to 6 different events in 4 days. Everything is mellow and pleasant in the autumn desert. Everyone is suddenly active and planning things and trying to squeeze the last drops of sunshine out of the year and if you blink you’ll miss it and there is never enough time. This isn’t a problem for Dragon, of course, because Dragon never goes outside and always has enough time to draw comics. Lucky Dragon.

We could all use a little extra magic, that fine spun stuff found in the theater of the imagination. You just have to find a ticket, or be in the cast, or else sneak in through the side door when someone goes out for a smoke.

Synergistically magical. Exponentially magical.

Dragon Comics 16

Just what you want to hear first thing on a Monday morning.

Just what you want to hear first thing on a Monday morning.

A more comical weapon than a scimitar did not come immediately to mind. It’s sort of funny looking and the name sounds slightly amusing. Can anyone think of funnier weapons? Actual weapons that look or sound funny, not ridiculous things being used as weapons. The first person I asked suggested a typewriter on a chain. That’s funny. But it’s not a real weapon. You might use it in a pinch, but you would never take it into battle.

You don’t take a typewriter on a chain to a scimitar fight.

See? It doesn’t work.

Dragon Comics 15

Some comics are just darker than others.

Some comics are just darker than others.

A storyline of sorts is coming into play here; this is going somewhere, other than to a place where every punchline is either Snake insulting Dragon or Dragon killing the snake (not that that will never happen, because it’s still funny to me, but there ought to be some degree of meaning what equates to verbal slapstick.

Cat is working well; she basically looks the same cat every time. I’m starting to get a feel for her, unlike Rabbit, who still doesn’t look right in any drawing. It occurred to me last night, as I was falling asleep, that this in, in part, because I am drawing her mouth all wrong. Rabbit will be cuter the next time she appears.

Dragon Comics 14

OK, I love this comic. I mean, I must have rewritten Rabbit’s dialog in the 2nd panel 12 times, and I’m still not completely satisfied, but this is precisely what I want to be doing: talking about serious things, and then flipping a switch and falling into a punchline.

This is another best viewed as large as your monitor can handle it, particularly the last panel.

When you don't wear clothes, body paint is pretty much the only way to add color to your wardrobe.

When you don’t wear clothes, body paint is pretty much the only way to add color to your wardrobe.

If you are not familiar with the work of Mondrian, check out this quick GIS. You’ve probably seen it, even if you don’t know his name. In fact, I’m only familiar with his name because I was on the forensics team in high school, in the “oral interpretation” division (i.e. reading out loud) and one of my pieces was Harlan Ellison’s “‘Repent, Harlequin,’ said the Ticktockman,” in which Mondrian is a summation of all that’s wrong with a rigid and orderly mandate in a modern, automated world. I’m not fond of the aesthetic myself.

Of course, Rabbit is adorning Dragon with the iconic image of Van Gogh’s “The Starry Night,” which most people are more familiar with. I have the print hanging on my bedroom door. I’ve also seen it held out as a piece beloved by people who took one art class in college and haven’t looked at a painting since then, but, obviously, I don’t have any space to be snooty about art. It’s a beautiful painting even divorced of meaning, and it had a lot of personal meaning for me. It very much is a work that, to me, expresses the kind of deep connection to the universe, intertwined with awe and wonder for the universe, that I feel when I look at a sunset or a storm cloud.

I learned a lot from studying Van Gogh’s “Blue Irises in a Yellow Vase“; from copying “The Starry Night” I basically learned how freaking amazing Van Gogh was. Do you have any idea how many colors there are in this picture? A lot. Even looking at a very good copy (I recall seeing 3D reproductions that actually used scanning technology to recreate his brushstrokes) you don’t see as deeply into the nuances as you do when you get down to the pixels. Wow. Just wow. I spent more time on “The Starry Night” than I did on anything else this week.

Dragon Comics 11

White dudes: so oppressed, so voiceless.

White dudes: so oppressed, so voiceless.

Every night is basically a Man talking party in certain company. 

All I really have to say about this comic is that I had a lot of fun drawing hands this week. Friday’s comic has some even more amusingly drawn hands. The Man looked it over and informed me that Dragon is using the wrong finger in panel 3, but I guess that says more about his worldview than my ability to draw hands. It’s funny, because in a lot of circles the ability to draw hands is sort of considered the benchmark. I think hands are only medium-hard; it’s faces that cause me the most grief. 

What I’m not entirely satisfied with is the placement of the word balloons in this comic. That’s another important skill in creating a visual narrative, and it’s not always obvious how to line them up so they’re read in order. I’ve actually read quite a bit on this, and I get that it’s part skill and part art. And if you think it doesn’t matter, you should read this hilarious takedown of inexplicable newspaper comic Mark Trail in Cracked. Actually, the whole article is hilarious. But actually, people have written much more serious pieces about word balloon placement. And it’s even more important in a bigger format, because then you also have to think about panel placement. Simply placing 9 or 12 equal-sized boxes in a grid over and over gets boring. The best artists can create a magical flow of images that sweeps the reader along from action to action in a visual way that somehow reflects the action, but done incorrectly, this method can just confuse the reader.

I’m fair from having to worry about that. But it is interesting to consider how the chosen format affects the storytelling. I’ve already got a little story planned out that examines this, but first, Dragon has a few things to say about art, friendship, truth, and beauty. Stick around!

Dragon Comics 10

You keep on using that word. I do not think it means what you think it means.

You keep on using that word. I do not think it means what you think it means.

Good news! I was able to complete 3 comics over the weekend, so I’m going to try to update 3 times a week for the foreseeable future, with an end goal of eventually having the ability to deliver dailies. This is dependent on whether I can deliver dailies and make progress on the graphic novel. Time will tell. But I’m pretty confident that I can stick to this schedule, and actually get far enough ahead that I don’t miss any days if I have an off week or go on vacation someplace without electricity. Plus, I’m really happy that my hand lettering is improving. I know I could just type the text, but I love hand lettering and would rather do it myself, even though it’s less than perfect.

In further good news, I had dinner with the real life Fox and Otter and made sure that they knew how much I really love them both. Fox said, “In all the years you’ve known me (about 8) I’ve never had a boyfriend.” I said, “I’m fine with you having a boyfriend. I’d just like you to have a boyfriend somewhere in the vicinity of where I am.”

What else? This comic is based on a real life conversation I had with the Man. I can never tell if he’s serious, but apparently he felt left out because his comic persona was not invited to the fictional comic drawing party. Well, now you can all suffer through enjoy a week’s worth of the Man. Because he spends the most time with Dragon.